Michael Markwick / Works 2011-12

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Tag Archives: Otto Dix

Works 2011-12

18-Nov-09

Selection [2011-12] [ 2010-2008] [ 2007 →]

Filed in | Also tagged 2yk Galerie, 2yk gallery, allegory, amsterdam, apocalyptische werken, Art Amsterdam, artist, Battles, belgie, belgium, berlin, Berliner Kunstsalon, CBK, Centrum Beeldende Kunst, collisions, contemporary art, contemporary dutch painting, contemporary painting, Cosmic, Danse Macabre, Design and Architecture, Dordrecht, Dordrechts Museum, Earth, eigentijdse, Epic, Expressionism, FBKVB The Netherlands Foundation for Visual Arts, Forest, Gerard Verdijk, Grand Rapids, Haarlem, hedendaagse, Henry Darger, heroic, Historia, hoge en lage cultuur expressionisme, Ineke Voorsteegh, Juliette Rousseff, Koen Vermeule, Koninklijk Museum voor Schone Kunsten Antwerp, Koninklijke Prijs voor Vrije Schilderkunst, kunst, kunstenaar, kunstfabrik am flutgraben, Kunstoffice, large, markwick, Max Beckmann, memento mori, metaphor in painting, michael markwick, Michigan, Mo Ramakers Josephine Sloet, Monika Seeberger, Neo-Expressionism, netherlands, Netherlands Royal Painting Prize, Nina Kluth, olieverf op doek, painter, painting, Painting in Disney's Shadow, Pete Meyer, Pictura, Pieter Brueghel, Quiet Apocalypse, Rob van Koningsbruggen, Ronny Delrue, schilderijen, Scuola Internazionale di Grafica, Sylvie Zijlmans, Tanya Rumpff, tekeningen, timothy van laar, trees, Universität der Künste, Urban, vitamin P, wim izaks, WYSIWYG | Comments (0) »

The Recent Paintings of Michael Markwick

18-Nov-09

The Recent Paintings of Michael Markwick A Michael Markwick painting is a collision, things have slammed together and now they are ready to fly apart. War, television, childhood, nature, art, human bodies, all offer up their particular forms of anxiety, nostalgia, and abjection in his work. An image of a tree fractures the surface of [...]

Filed in Michael Markwick | Also tagged book, Breughel, Breughel’s Triumph of Death, collisions, darger, Max Beckman, michael markwick, painting, texts, timothy van laar | Comments (1) »

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