Text/ Catalogs / Publications / Documentation (selection)
Catalogs/ Books
Jurriaan Benschop, translation: Susan Ridder, “Why Paintings Work”. Garret Publications, Helsinki. 2023, Idea Books, ISBN: 978-952-7222-17-1
Prof. Dr. Damian Dombrowski, “Michael Markwick: Natur und Zeit,” Michael Markwick: New Songs to Learn and Sing, Martin von Wagner Museum, Wüzrburg, Germany, 2019. J.H. Röll Verlag. ISBN: 9783897545328, 10-14.
Prof. Dr. Catrin Gersdorf, “Grußwort des Lehrstuhls für Amerikanistik,” Michael Markwick: New Songs to Learn and Sing, Martin von Wagner Museum, Wüzrburg, Germany, 2019. J.H. Röll Verlag. ISBN: 9783897545328, 9.
Sophie Renninger, “Of Bones and Light,” Michael Markwick: New Songs to Learn and Sing, Martin von Wagner Museum, Wüzrburg, Germany, 2019. J.H. Röll Verlag. ISBN: 9783897545328, 15-27.
Dr. Karin Schulze, Serious Play: Lucy Teasdale / Michael Markwick; Galerie Born-Berlin; Berlin, Germany, 2018, 3-4, 19, 20.
Michael Markwick, Michael Markwick: New Paintings.Galerie Born-Berlin; Berlin, Germany, 2017
Jurriaan Benschop and Betsy Stirratt, “Geist und Form: Ten Painters from Berlin,” Grunwald Gallery of Art, Indiana University Bloomington, IN, USA, 2014. 16-17, 25, 27, 38, 45, 46-47, 62-64.
Jonathan Meese, “Ten words and one shot, vol .4,” Stein-werk Leipzig, 2014.
Autocenter Berlin, “The Legend of the Shelves,” Distanz publishing house, 2013.
Jurriaan Benschop, “Disturbed Nature: Drei Künstler am Rande des Natürlichen,” Gallery Cluster, Berlin, Germany, May, 2009.
Jurriaan Benschop, “BLICK OHNE ENDE: Niederländer in Berlin,” Druckteam Berlin, Autocenter, Berlin, Germany, 2010. 4, 5, 17, 22-23, 33, 34-35, 36, 37, 62-64.
Timothy van Laar, introduction to monograph “Michael Markwick: Collisions / trees-bones-earth and sky,” May 1, 2009.
Marc Pil, “Michael Markwick” Dordrechts Museum Bulletin (32ste jaargang, nummer 4), 2008. ISSN: 1384-332x. 6-7.
“Stichting Koninklijk Paleis Te Amsterdam, Koninklijke Prijs voor Vrije Schilderkunst,” 2007. 1, 33.
Rahman Mohamed, Penang International Print Exhibition/Catalog, Penang, Malaysia, 2007. 46.
“Aan Het Werk…4,” CBK Dordrecht, 2006. 8.
Press (Newspapers, Magazines, Podcasts, Television)
Marie Ross. “Michael Markwick,” The Fidelio Podcast (Episode 7) June 2, 2014. Podcast retrieved from https://itunes.apple.com/us/podcast/the-fidelio-podcast/id846351450?mt=2
Jurriaan Benschop, “‘Nieuwe’ schilderkunst uit Berlijn (“New” Painting from Berlin),” Kunstbeeld Magazine (12-2011 /1-2012). 56, 57, 58, 59, 60, 61.
“9/11 Memorial Collectors Edition,” B.Z., September, 11, 2011.
“Atelier Bezoeken met Kunst Beeld in Berlijn,” Kunstbeeld Magazine (NR 7/8), The Netherlands, 2011. 4.
Ine Poppe, “Bos vol Blut & Boden Symboliek,” NRC Handelsblad: Kunst, The Netherlands, September 9, 2010.
Jurriaan Benschop, exhibition text “Tussen De Bomen,” Kunst in Kreuzberg e.V./ Atelierhof Kreuzberg, Berlin, Germany, 2010.
Jesper Dalmose, “En Bid Af Kunstens Kaos,” Magasinet Kunst, København, Danmark (Nr. 3 / 2009). 44-45.
“Leven uit een Dag,” work used in film, by filmmaker Mark de Cloe, Dutch Mountain Films BV, 2008.
“Michael Markwick: Dordrecht Museum,” Television Interview, Rijnland Televisie, Dordrecht, The Netherlands, November 29, 2007.
Gaby Van Der Zee, “Tijdelijk Jonge Kunst in Museum,” De Dordtenaar: Dreschtsteden, Sect. Cultur, Dordrecht, The Netherlands, November 30, 2007. 9.
Gert van Engelen, “Het was een eer om mee te doen,” Pictura Blad, Dordrecht, The Netherlands November, 2007. 17-18.
“Michael Markwick exposeert in Pictura,” Dordtenaar: RISE, Week 19, Dordrecht, The Netherlands, 2006. 12.
“Post Consumption,” Venezia News, Venice, Italy, March, 2005. 22.
Online Publications
Jurriaan Benschop, “Geist und Form: Ten Painters from Berlin,” Grunwald Gallery of Art, 2013. http://geistundform.com/
Isabel Hoving, “Creative Writing and Arts Section Editorial,” Ecozon@: European Journal of Literature, Culture and Environment, May, 2013. 103-113. http://www.ecozona.eu/index.php/journal/article/view/377/684
Public Archives
Archief Rijksbureau voor Kunsthistorische Documentatie (Royal Archive for Art Historical Documentation), The Hague, The Netherlands, 2020.